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While their accounts were initially met with skepticism, they were published in part two months after the escape, with a full English translation not coming for seven months. The two Slovak Jews escaped from the camp in April 1944, taking with them documents detailing both how the camp was laid out and the scale of its mass exterminations.

Noel Czuczor and Peter Ondrejička play “Freddy” and “Valér,” characters based on the real-life Auschwitz inmates Alfred Wetzler and Rudolph Vrba. release, the film is dark and grueling it finds a new lens on the Holocaust and tells an unfamiliar story in a way that brings home both the unfathomable horror and the difficulty in getting people to grasp that horror. Slovakian director Peter Bebjak’s “The Auschwitz Report” had a slight head start on those other films, premiering in its home country in January and being chosen as the Slovak Oscar entry in last year’s race. It sometimes feel as if the Holocaust and Nazi Germany are subjects that have been exhausted on screen, but filmmakers continue to return to those dark times: The past few months have already seen the festival premieres of two striking animated films, “Where Is Anne Frank” and “Charlotte,” and the recent Toronto Film Festival also brought Barry Levinson’s “The Survivor,” with Ben Foster as an Auschwitz inmate haunted by what he did to make it through the war.

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